Little, Brown and Company
Kent's debut delves deep into Scandinavian history, not to mention matters of storytelling, guilt, and silence. Based on the true story of Agnes Magnúsdóttir, the novel is set in rural Iceland in 1829. Agnes is awaiting execution for the murder of her former employer and his friend, not in a prison—there are none in the area—but at a local family's farm. Jón Jónsson, the father, grudgingly accepts this thankless task as part of his responsibility as a regional official, but his wife and daughters' reactions range from silent resentment to outright fear. After settling in to the household, Agnes requests the company of a young priest, to whom she confesses parts of her story, while narrating the full tale only to the reader, who, like the priest, provide her with a final audience to her life's lonely narrative. The multilayered story paints sympathetic and complex portraits of Agnes, the Jónssons, and the young priest, whose motives for helping the convict are complicated. Kent smoothly incorporates her impressive research— for example, she opens many of the chapters with documents that come directly from archival sources—while giving life to these historical figures and suspense to their tales.