A Very Brief History of Eternity; Carlos Eire
Readers of Eire's award-winning memoir, Waiting for Snow in Havana, won't be surprised by the tongue-in-cheek title of the Yale history professor's latest book. Despite its heady topic, Eire's engaging style and sense of humor keep things light enough to carry readers through a history of how conceptions of forever, or eternity, have evolved in Western culture, and what role these conceptions have played in shaping our own self-understanding, personally and collectively. Beginning in the ancient cradle of civilization and ending with the postmodern present, the author addresses both religious and secular notions of eternity in the context of how people throughout time have treated such mysteries and conundrums as what happens after death and the relationship of time to space. Diagrams, photos and artistic representations accompanied by Eire's commentary illustrate difficult concepts or provide visual representation of how people have conceived of eternity in reincarnation, mystical experience, heaven and enduring truth. Eire gives readers so much to think about and in such an entertaining manner that he can be excused for occasionally overreaching.
Waiting For Snow in Havana; Carlos Eires
(I loved this book - have you read it?)
"Metaphors matter to me, especially perfect ones," Yale historian Eire writes in this beautifully fashioned memoir, as he recounts one of many wonderfully vibrant stories from his boyhood in 1950s Havana. As imaginatively wrought as the finest piece of fiction, the book abounds with magical interpretations of ordinary boyhood events-playing in a friend's backyard is like a perilous journey through the jungle; setting off firecrackers becomes a lyrical, cosmic opera; a child's birthday party turns into a phantasmagoria of American pop cultural icons. Taking his cue from his father, a man with "a very fertile, nearly inexhaustible imagination, totally dedicated to inventing past lives," Eire looks beyond the literal to see the mythological themes inherent in the epic struggle for identity that each of our lives represents. Into this fantastic idyll comes Castro-"Beelzebub, Herod, and the Seven-Headed Beast of the Apocalypse rolled into one"-overthrowing the Batista regime at the very end of 1958 and sweeping away everything that the author holds dear. A world that had been bursting with complicated, colorful meaning is replaced with the monotony of Castro's rhetoric and terrorizing "reform." Symbols of Jesus that had once provided spiritual enlightenment by popping up in the author's premonitions and dreams were now literally being demolished and destroyed by a government that has outlawed religion. The final cataclysm comes when Eire and his brother, still young boys, are shipped off to the United States to seek safety and a better life (another paradise, perhaps). They never see their father again.As painful as Eire's journey has been, his ability to see tragedy and suffering as a constant source of redemption is what makes this book so powerful. Where his father believed that we live many lives in different bodies, Eire sees his own life as a series of deaths within the same body. "Dying can be beautiful," he writes, "And waking up is even more beautiful. Even when the world has changed." Taking his cue from his beloved Jesus, the author believes that we repeatedly die for our sins and are reborn into a new awareness of paradise. How fortunate for readers, then, that by way of Eire's "confessions," they too will be able to renew their souls through his transcendent words.